Kurt Weill (1900-1950): Zaubernacht (Kinderpantomime in einem Akt)
Ania Vegry (Sopran),Arte Ensemble
Recording Premiere of the Original Version
When the curtain rose to quiet string tones in the Berliner Theater am Kurfürstendamm on 18 November 1922, hardly anybody in the audience was familiar with the composer’s name on the program. The work being presented was a new children’s pantomime entitled Zaubernacht (Magic Night) and held in store fanciful costumes and appealing stage sets along with its music. The action: a toy fairy sings her song by night and rouses to life various toys in the children’s room shared by a pair of siblings. The music had been written by a young man of twenty-two who was studying composition with Ferruccio Busoni: Kurt Weill. In view of the limited budget, he instrumented the piece for a chamber ensemble consisting of nine members while selecting an unusual group of instruments for the work: piano, percussion, and five strings with a flute and a bassoon. He set a creative challenge for himself and met it individually and appealingly. We have only recently learned the same because the score was lost until it surprisingly resurfaced in a publisher’s safe in 2006. Now you for the first time have the opportunity to listen to the elegant toy waltzes, marches, and polkas in their original form. Genuine pleasure!

Reviews:
"Wie Weill verschiedene Puppen und Gegenstände aus Kinderzimmer und Haushalt musikalisch zum Leben erweckt, ist auf anheimelnde Weise kindgerecht und dabei immer klanglich anspruchsvoll; es ist niemals billige Anbiederung, sondern Ansporn der Fantasie, ohne die kleinen Hörer zu überfordern. Insofern ist diese Musik wirklich eine Entdeckung und wird hoffentlich, auch in Folgeaufführungen anderer Ensembles, neue Weill-Freunde finden." (klassik-heute. com 05 / 13)

"Idiomatische Interpretation. Eine wichtige Ergänzung zum frühen Weill'schen Oeuvre und der Musik Berlins in den Zwanziger Jahren." klassik. com 11 / 2013)